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Information Journal Paper

Title

THE RHETORICAL USE OF “MIRROR” IN SA’EB TABRIZI’S DIVAN

Pages

  45-58

Abstract

 Sa’eb Tabrizi is one of the greatest poets of the INDIAN STYLE who has left more than one hundred thousand distiches behind. One of the characteristics of the INDIAN STYLE is THEME-development via poetic images. The followers of this style consider novel modes of expression the only way to get rid of repetition and banality, and somehow detach themselves from the dominance of great poetic experiences preceding them. In the SIMILEs used in this era, the poet seeks to create new meaning horizons and develop original imageries. Hence, each THEME looked upon from different perspectives, is a ground for creating new experiences for him. Here, Sa’eb is a unique poet who has created hundreds of different THEMEs out of a single subject. One of these motives is “mirror” which has created THEMEs, sometimes peculiar, via different vehicles in the poet’s imagination.

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  • Cite

    APA: Copy

    MASTALI PARSA, GH.R.. (2010). THE RHETORICAL USE OF “MIRROR” IN SA’EB TABRIZI’S DIVAN. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), 3(2 (8)), 45-58. SID. https://sid.ir/paper/170777/en

    Vancouver: Copy

    MASTALI PARSA GH.R.. THE RHETORICAL USE OF “MIRROR” IN SA’EB TABRIZI’S DIVAN. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)[Internet]. 2010;3(2 (8)):45-58. Available from: https://sid.ir/paper/170777/en

    IEEE: Copy

    GH.R. MASTALI PARSA, “THE RHETORICAL USE OF “MIRROR” IN SA’EB TABRIZI’S DIVAN,” JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), vol. 3, no. 2 (8), pp. 45–58, 2010, [Online]. Available: https://sid.ir/paper/170777/en

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