Naghsh Mayeh
Year:2015 | Volume:8 | Issue:21|Papers Count:6

Architecture and decorative arts monuments of Iran represents a continuation of the presentation style is clear. Diversity in Iranian monuments clearly evident in each period using existing materials can cause a form of architecture. One of the architectural and decorative elements that adorn the monuments of the Iranian roles, is Mogharnas. Mogharnas materials, material designs different forms. Mogharnas background in art history and the rise of Islam Iran is greatness represents excellence .in the Islamic era Mogharnas how to use the multitude of different substances in terms of what has particular significance. During Seljuk era in the evolution of this art is Intense.

The present study both history and culture of the region (The Caucasus and Anatolia) - Bafthhay taking one of them - and some of the common and distinguishing their case is investigated. What this study is concerned, the emphasis on a particular type called the woven (kilim) are the result of matching, implies the existence of similar cases in the visual quality of the woven such a role (Mar-dragon) and the geometric mode, this role can be more visible. On the other hand the distance and differences in climate and attitudes that underlie these two areas is inconsistent. Azerbaijan, Armenia and Georgia in the Caucasus states comprise most of the old hand-woven area rugs in the world known as the fabric is made. Conducted research on snakes and dragons, the symbolic concepts and the stories and religious myths, seems to be a very important factor in the creation of the mythical snake in the picture is different, and the implementation of this is located. The research is a comparative and analytical method, applications - is an item Curated content library as well. The aim of this study was to investigate the role of adaptive (Mar - dragon) in the Caucasus and Anatolia rugs are. It is also the location of a snake in Dastbafth it to work in the margins, bergamot, text rugs will also be examined. This study tried to answer the following questions may be appropriate:The motifs (Mar - dragon) in each area of carpet weaving in the Caucasus and Anatolia in what is a concept? The relationship between the motifs used in the rugs of the Caucasus and Anatolia there? Causes of the differences and similarities of motifs (Mar - dragon) in the Caucasus and the Anatolian Kilim is?

The influence of Islam in many countries formed a kind of art which some of the past motifs and traditions were used in it. One of the patterns that had been taken into consideration was combined motifs as (human-bird) or Harpy. Harpy is mixed human' head (usually female heads) by the body of bird. What are the meanings of Harpy in Islamic art during 5th and 8th centuries? Based on this research the spreading of Islamic mystical and astrology knowledge are the factors which influenced the forming this symbol. During the Islamic period, Harpy was common and lucky symbol and was found on many metals and earthenware works. This paper is a theoretical ones and the way of collecting data is documented and library.

There are three primary geometric patterns in Islamic art including circle, triangle and square. The importance of these three forms of multiple arrangements in different works of Islamic art refers to the significance of abstract art beauty. Coded patterns increase the interpretation of art works in Islamic art. The circle represents spherical volumes and movements of the heavenly bodies. Triangle is the simplest shape which is symbol of three worlds. Square is one of the most important shapes and reflects the strength, the establishment and perfection. Muslims consider the geometry of art in the regular structures inspired by God's creation and the existing order in nature which is shaped by positive attitude toward creativity and spiritual sublimation. Three primary geometric patterns, circle, triangle and square in various arts had coded meaning besides aesthetic appearance have been indicated culture of Muslim artists in different Islamic periods. The nature of the geometric patterns is based on order and balance in terms of the artist's systematic work would increase the expression of celibacy and his mental concepts. The purpose of this study is to examine the meanings encoded in the shapes of circle, square and triangle within Islamic art. The current study has been done by means of library research method and analysis - descriptive way. The results of this research indicate that the discipline of above mentioned patterns in Islamic art explaining the monotheism and different forms of Islamic art were affected by monotheism which is illustrated in art works.

Images created with digital photography system, are made from regular and quite geometric and arithmetic seeds called pixels, but in analog photography system, existing crystal silver bromide seeds in photography film negatives, after exposure to camera light, make image in the form of irregular and small spots called Grain, Grains following their irregular form (unlike pixels), in terms of visual, have energetic and very dynamic forms. Considering the feature of spot as constructive element of the images, now this question comes to mind that why images that are product of digital photography process, have less subtlety and dynamism than the obtained images from analog photography system? The purpose of performing this research is to investigate the nature of digital images and comparing them with analog images, is in terms of image creator spots in them. The topic that will be investigated in this article is to analyze visual features of spot in both photography systems.The research method used in this article, is a descriptive-analytical method and its information collecting method has been library-field form. In this article, the authors comparing the form of the spot as constructive element of the image in both analog and digital photography systems, fetched up that obtained images of analog photography, due to expression state of spot in them, have more dynamic nature than digital images and this feature can be counted as an special ability to achieve special goals that happen less in digital photography method.

Printing of nodes is one of the manual prints that it has certain features of pattern visually (abstract) and it also has a special place beside the capabilities of the textile that it can play an important role, applying them in the world of textile printing and the industrialization in this vast world of textile printing. As whereas the print creates beautiful designs on the fabric, top of Form a node print is purely artistic one, and the cut is small, this paper uses the print widely in the industry to allow wider use of printed fabrics node, dealing with a variety of printing methods of nodes, including different types of tie knots like Central, Pleated, Spiral, etc. and the feasibility of industrialization. For this purpose, tests have been made from different nodes and samples by the design software and integration of nodes with different visual forms, and it has been published, using modeling techniques, including Houghton screen stencil designs on background fabrics that have been dyed by the nodes.