PERSIAN LANGUAGE AND LITERATURE
Year:2013 | Volume:5 | Issue:15|Papers Count:14

Translation work, opening a new window on the effect of cross-border travel, his novel idea for dealing with language and to make strenuous.Translated in both languages Tkapvyy valuable to arise. The first English translation of the original work that is dealing with it other than that you should receive your pass The effect.Translated Tvandgvnh of cultural and linguistic change is the passing of knowledge achieved in virtually any language interpreter translated the work with little tolerance towards creating a new one take into account the even Will admit that the root of the source.Don Quixote, one of the world literature translated Nvadr Muhammad Ghazi, a symbol and measure important parameters to be translated.Trustee in respect of the translation of words, without damaging the nature of the interference effect in the choice of words, choose the style in keeping with the atmosphere of the novel, the best way to choose the arrangement of sentences and the most important benefit of smart inherent in maintaining the originality of the work and adherence to the logical structure of the novel, which has some characteristics in comparison with the ancient texts of Persian language and literature reveals more and better place. In this study we are trying to corner some of the light Study of Muhammad Ghazi, the translation of this valuable work, some aspects of linguistic very artistic and elaborate effects that are observed to introduce.

This paper aims at investigating the strategies and techniques in the social practice of translations done by Mohammad Ghazi. With this purpose in view, the study has opted for the research method of discourses-based historicism. The research data were collected from Ghazi's interviews and talks with people, newspapers and print media.Attempt was made to analyze the data to identify and explain the key concepts of power, ideology, Ghazi's strategies and techniques and interrelationships among these concepts throughout Ghazi's long translation career which spanned several decades. The research findings indicate that Ghazi has designed the social practice of translation in terms of a particular ideology, a particular literary genre along with techniques concordant with translator's ideology within certain politico-social discourses in order to achieve certain goals.

The main purpose of this research is the evaluation and comparison of the quality of two translations of “Don Quixote” by Miguel De Cervantes, the famous Spanish writer. Amongst various models for quality assessment of translation, Garces model (1994) has been chosen as the framework of this research. The model contains 4 different levels. These levels are semantic-lexical level, syntactic-morphological level, discursive- functional level and stylistic-pragmatic level. Each one of these levels has also sub-groups and special parts based on which translated texts will be measured and assessed. The results which were presented in the form of distributive tables, show the frequency of each sub-part. By calculating the abundant quantities of 4 aforementioned levels and subgroups, determination the quantities of common areas in all translations (Addition, Suppression and conservation), calculating the quantity of employed rhetorical figures in translated literary texts on the basis of three factors (conservation, variation and suppression), and finally the quality of translations on the basis of two parameters of acceptability and adequacy with regard to positive and negative markers, the research came to the conclusion that based on their quality, the translations are classified as follows: A. positive markers: 1. Translation of Mohammad Ghazi (1960) 2. Translation of ZabihollahMansouri (2011), B. negative markers: 1. Translation of ZabihollahMansouri (2011) 2. Translation of Mohammad Ghazi (1960).

One of the characteristics of the field of translation studies that distinguishes it from other fields of knowledge is its inter-disciplinarity. This inter-disciplinarity has two main reasons: The first is the way of its coming to existence which is the result of joining the research fields such as: contrastive analysis, comparative literature, translator training courses and historical research in translation. The second reason is related to the nature of the translation itself. Translation in both meanings i.e. the linguistic product or the process of transferring message from one culture to another has the capacity to be investigated through very different theoretical frameworks and common research techniques in different research fields such as: literature, linguistics, art research, history, philosophy, technology information, training, inter-cultural studies, sociology and etc. The present study is a sociological glance on the works and the personality of Mohammad Qazi from the Bourdieu’s theory of practice perspective. This theory poses the dialectic relationship between Field and Habitus. In the first part of this study, an analysis of the abovementioned concepts of the theory will be presented; the author next investigates the relationship between these concepts and Qazi and his translations briefly.

According to Halliday & R. Hassan, semantic cohesion is defined as "a semantic concept" and refers to the semantic relationships between the elements of a text. The understanding of some textual elements can be facilitated based on the functions of these relationships. One element presupposes the other and this means that the second element cannot be understood without the first one. Therefore, the relationships between the textual elements lead to the cohesion and consistence of the text.Classifying the cohesive elements, this paper is conducted to analyze one of Shamloo’s poems by using Halliday & Hassan’s theory of cohesion and cohesive harmony. And finally, the elements are investigated which consist each cohesive chain. The results show that this poem is cohesive and its grammatical cohesion is more than its lexical cohesion. The majority of instances of grammatical cohesion are related to personal reference. Applying this theory, we can measure the degree of cohesion in all the poems by Shamloo and any other poet.

Ahmad Dehghan is one of the most famous writers of the fiction about sacred defense in recent decade. Among his works, a set of stories named "I’m your son’s killer" is one of his masterpieces which contain several short stories. Element analysis of this book, in the field of war, made him famous; hence the recent article tries to show the connection between its parts, elements and interior components and tries to prove the ability of Dehghan in writing short stories such as romance, diaries, showing that this writer is familiar with the principles and premises of short stories and was able to present the master piece in the field of fiction about sacreddefenseby skillful initiating and ending, planning, coherent plot, suitable personification, effective scenes and using attractive, authentic stories with special speech styles.Research method is based on qualitative descriptive-analytic, data driven and the categorization gained descriptively on the basis of note taking, resources and information, then it has been analyzed deductively from part to whole.

The concept of freedom has beenexpressed in different ways in different cultures and societies. This expression has a special place among African and Asian nations such as Iran tasting the bitter sense of despotism and colonialism. Poets in such nations have constantly used their poetic and gentle soul to cry for freedom and they have played an important role to inform people of their rights. FaroukiYazdi and A.Alshaby are both have been introduced as “liberal poets”. The concept of freedom in their verses are expressedand defined with words like freedom, law, resistance against colonialism, dictatorship. Authors in this paper have tried to introduce and study the two poetsin a comparative ways as liberal literary writers whose poems are enriched with expressions of freedom. Consequently, this study shows that the word and concept of freedom has a special place in their poetry. The only difference and exception between these poets is that the concept of freedom has more varied range of meaning in FaroukiYazdi’s poetryincomparison with Alshaby’s.

Arash storyas Epic and majestic nostalgiaisa clear exampleof Iranianancient culture that showschangethedestiny of anationbydedication of aperson. Archer Arash poetry, Poemsof Siavash Kasrayi is are-creation of this national epic. This poemshould beconsidered the first modernepic poemthatis written in the new style. Kasrayi wears eye from the historical truth of this storyandmakesits epic more than historicalfacts. He also has tried to portray symbolically social and political space of the country in the thirties by usinglinguistic techniques. Archer Arashlyricissongful of theh opethatwaswritten in space full of despair after the coup of 30th of August. Kasrayiwho is inspired by Savior emersion, knows Arash appearance, hopeof everyone in the world. In this article with deliberationin Archer Arash poem, we tried to answer the following two questions: 1-Whichcapacitiesareusedforre-inventionthe myth of Archer Arash and Streng then aspects of its epic? 2- How much poethas been successful Inorderto portrayaspects of athletics.

Various studies have been conducted on how to create Hindistyle.Political, economic and social issues and also check the Last Poets lyrics belong to old-style this case helps us. In this case, Nizam Astarabadi's poetry that lived end of timuri era is remarkable. Our efforts in this paper have been Survey field’s formation Hindi style in Nizam's poems. After review we saw many of the Hindi style features as Parable, Equation, Farfetched Poetic imagination the effect of ordinary language, Trend of shiee thought, Praise children Islam Prophet, Linguistic and Grammatical mistakes and textual Complexity.

Bahr al-Ferasat book is one of the valuable and unknown literary works of Obeid Allah KhishkiCheshti whom is one of the Persian Arifs and Language writers from Indian subcontinent in eleventh Century of Hijri. This book is one of his prose literary works which explains and interpret poems of KhajehShirazi. The manuscript of this work is edited by the writer of this article thus with the perusals done on this manuscript, we tried to inspect the advantages and disadvantages of that, so this investigation is aimed to inspect in content Criticism way with this aim the first privileges and beauties with showing evidence from the text of the book, mentioned and then defects that. In all things wherever is necessary we explained other details existed in Divan of Hafiz.