Journal of Comparative Literature
Year:2012 | Volume:1 | Issue:4|Papers Count:7

The book of “Al Emta’ Val Moa’nasa” is enjoyable. Abuhaian’s criticisms are distributed among his works and treatises, and he didn’t give these criticisms to describe specific critic theory.The frame of this research is based on the extraction of texts and critic viewpoints from Abuhaian’s books; in particular “Al Emta’ Va moa’nasa” book, and assorting and analysis study.If we study Abuhaian’s efforts conserving the comparative and applied criticism, we will find that these dictums and views, didn’t transgress the declaring the rapid, and brief and extensive dictums.Tovhidi studies the issue of letter and implication, also he discriminates between all kinds of understanding and between the auditors, but if he had to prefer one to another he would prefer the implication, because of its closeness to the intellect, while the closeness of the letter is to the sense.Eloquence in his view point is not the factitious and denounced mannerism and isn’t pursuing the strange terms. It is no matter that the hearer didn’t understand them because of his illiteracy and barbarity, if the Eloquence is existed. Eloquence in his view exists with two stipulations: first: possessing the aesthetic talent, and the second: the arduous effort and constant learning.

Bayati was the third of three persons who took up the lead in modern Arabic poetry in the Iraq conflict and paternity of modern Arabic poetry. His marker more legends and innovator mask in contemporary Arabic poetry. Distributed sources of heritage at the al-Bayati, the six divisions including; literary and historical, religious and mystical and popular and legendary use Bayati forms or personalities, many different races and ethnic groups, spread way Bayati models various items, including through the techniques of the mask and intertextuality and displacement. Emerged from the different forms or characters that employment Bayati, and through some of the poetic texts by the quotes, the following topics: revolution, oppression, alienation, and exile and alienation rebellion, pain and suffering, and death. Al-Bayati to believe it is the result of the past and between him and Heritage exist familiarity and the response consisted with him because he found in his voice votes and idea and for the unity of human experience. Characterized by his poetic adventure and freedom of movement toward renewal, Al-Bayati always tries to shed light on the faces of villains and breaking concepts stable, and rebel against the static world and life, thus achieving freedom of creativity and discovery. The Al-Bayati is not transferred to the past, citing a static, or copy it copies, but creates it, dropped him on his vision. To study the notice-Bayati, we relied on the analytical method - prescriptive.

Ibrahim Nasrullah the Palestinian / Jordanian poet and novelist began his literary life as a poet and issued some different poetical works. He wrote his first novel in 1985 named: "Barari Al-Humma" (wildernesses of fever), and from that time his name was registered as a novelist in literary circles. Then he published three novel collections i.e.: "Al-Rewayat al-Mustaqella" (independent novels), "Al-Malhat, Al-Falastinyya" (Palestinian comedy) and "Al-Shorafat" (balconies), each collection of which contains several novels. Using descriptive approach and analytical method, this paper aims to explain his literary life and his novelistic experience and to the study of effective factors in his tendency toward the career of novel writing.

Sermon has been one of the most important means to connect the people of society so much that it is one of speech schools among audience, because it influences the people's minds. Therefore, the role of literary beauties is unavoidable in the success of orator, hence it is orator's duty to transfer his intention to his addressee. Ghadir sermon is the last, longest, most eloquent speech of (Mohammad, God's messenger) in Arabic. It is the most literary, technical prose in Arabic literature, while it has been left unknown, therefore this study of is to introduce a summary of sermon by literary analytical discourse. The findings show that Mohammad, God's messenger has applied the different methods to attract his audience, hence he has emphasized on vocabularies, phonetics, style and content, all of these have put Al Ghadir sermon in the sublime, literary position in the technical prose.

This study is to consider Intertextuality, and questions about Quran Intertextuality of Al Zahavy's poems called ode on Revolution in Inferno, then the different kinds of Intertextuality were expressed. There was a brief of his biography and it was addressed to the several of Intertextuality in him poetry such as: distance verses and Quran phrases and Quranic materia (parallel, total and partial denial)The fact that Al Zahavy has used many of the Quran Intertextuality that the first, would be expressed both in positive and negative for them. And after the careful examination revealed that he has not used negative form and meaning in Quranic Intertextuality, instead it is positive. This study is analytical-descripitive.

Texts of pre-islamic career odes abounded with codes and famine symbols, such references and codes for particular poems historical perspective is brought into the picture. The religious and mythical motif derived from the analogy of women to nature and its elements it has added dimension of beauty. Nature imagery for "model of woman" has been exonerated in such poems. Women are full of secrets and hints that in itself imply fertility, resurrection, purity, beauty, etc. in summary this paper seeks to analyze the implications of being ignorant and lyric elements are hidden.

This study is based on French movement in comparative literature which emphasized the historical background, it is to compare some of Arabic and Persian cultural connection in some of Aboonaras' and Roodaki's poems. Findings show that whereas the same fact that Roodaki was influenced by Aboonara in mirth-making concepts, there is an innovation in the former poet, because they are eloquent.The roots of both poets’ concepts are Iranian culture and civilization, because they are Iranian. In spite of the fact that Arabic poem has an old background, it is a middle to complete the poems.