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Cites:

1

Information Journal Paper

Title

MACROFICTION AS A NEW SUB-GENRE IN EBRAHIM GOLESTAN’S SHEKAR-E SAYEH

Pages

  137-162

Abstract

 All phenomena have macro- and MICROSTRUCTUREs. MICROSTRUCTURE refers to the parts, details, and sentences by which a text is constructed; and MACROSTRUCTUREs is plot, summary, or a large-scale statement about content of a text. The interaction of these structures produces another structure: a MACROFICTION. This structure can be found in the stories that have similar schematic structures, in a way that the given schema of a text or paratext with its details is projected to the other space (story); and finally, they are both conflated in a new space. This paper examines the nature of this new structure and its function for fictional discourse as well as the interaction of macroand MICROSTRUCTUREs for construction of a layer of joint structures. It explicates the nature of MACROFICTION and the process by which it is created in EBRAHIM GOLESTAN’s collection of short stories, SHEKAR-E SAYEH. Consequently, according to the untold story inferred from the link between the short stories, there are people in a society with different characters which repeat the same absurd life through having a wrong purpose. An important feature of MACROFICTION is the narration of the story through a particular arrangement of the stories and not through a direct narrative.

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  • Cite

    APA: Copy

    SADEGHI, LEILA. (2013). MACROFICTION AS A NEW SUB-GENRE IN EBRAHIM GOLESTAN’S SHEKAR-E SAYEH. LITERARY CRITICISM, 6(21), 137-162. SID. https://sid.ir/paper/158176/en

    Vancouver: Copy

    SADEGHI LEILA. MACROFICTION AS A NEW SUB-GENRE IN EBRAHIM GOLESTAN’S SHEKAR-E SAYEH. LITERARY CRITICISM[Internet]. 2013;6(21):137-162. Available from: https://sid.ir/paper/158176/en

    IEEE: Copy

    LEILA SADEGHI, “MACROFICTION AS A NEW SUB-GENRE IN EBRAHIM GOLESTAN’S SHEKAR-E SAYEH,” LITERARY CRITICISM, vol. 6, no. 21, pp. 137–162, 2013, [Online]. Available: https://sid.ir/paper/158176/en

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