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Information Journal Paper

Title

The Poet and the Image: Whitman on the Persian Front Covers

Pages

  209-236

Abstract

 Studies of the reception of a writer in another culture primarily deal with the translation of the works into the target language. Such studies usually ignore the translation of the writer’ s image. The present essay focuses on the translation of Walt Whitman’ s image into a contemporary Iranian context. In this study, “ image” refers both to visual representations, such as pictures or photographs, and the mental conceptions held in common by members of a group, such as is the subject of Imagology.

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    APA: Copy

    MIRZABABAZADEH FOMESHI, BEHNAM. (2020). The Poet and the Image: Whitman on the Persian Front Covers. LITERARY CRITICISM, 12(48 ), 209-236. SID. https://sid.ir/paper/158296/en

    Vancouver: Copy

    MIRZABABAZADEH FOMESHI BEHNAM. The Poet and the Image: Whitman on the Persian Front Covers. LITERARY CRITICISM[Internet]. 2020;12(48 ):209-236. Available from: https://sid.ir/paper/158296/en

    IEEE: Copy

    BEHNAM MIRZABABAZADEH FOMESHI, “The Poet and the Image: Whitman on the Persian Front Covers,” LITERARY CRITICISM, vol. 12, no. 48 , pp. 209–236, 2020, [Online]. Available: https://sid.ir/paper/158296/en

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