SEMIOLOGY OF WOMAN'S IMAGE IN IBRAHIM HATAMI KIA' S CINEMA

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

MAHDIZADE SEYED MOHAMMAD; ESMAEILI MASOUMEH

Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: WOMAN IN CULTURE AND ART (WOMEN'S RESEARCH) Year:2012 | Volume:4 | Issue:1 (11) Page(s): 85-105

Download Full-Text

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Persian Verion

View:

1,513

Download:

Cites:

Information Journal Paper

Title

SEMIOLOGY OF WOMAN'S IMAGE IN IBRAHIM HATAMI KIA' S CINEMA

Author(s)

MAHDIZADE SEYED MOHAMMAD | ESMAEILI MASOUMEH | Issue Writer Certificate

Keywords

REPRESENTATIONQ2

GENDERQ2

FEMINISMQ2

SEMIOLOGYQ2

Abstract

This research aims to make an analysis of the content and SEMIOLOGY of the image of the women society in the cinematic works of Ebrahim Hatamikia. The (statistical) society of this research consists of four movies (The Watchman, The Scent of Joseph's Shirt, The Red Ribbon, Invitation) out of total movies produced by him during four separable chronological sections in Iran i.e. imposed wartime, construction period, reform period and fundamentalism period from 1986. Two methods of SEMIOLOGY (coexistence and substitution) and content analysis have been used as variables for analyzing film content (cast role duration, age, social class, occupation type, situation, and type of dressing and theme of dialogues) and, then, a main question and three subsidiary questions were proposed.The results were analyzed quantitatively and qualitatively, using the method of SEMIOLOGY and content analysis. The findings of the research show that the early movies produced by Hatamikia do not give the women a notable position because of the war-based background of these movies. The male GENDER is placed at the heart of the events and the description of the females is not feasible without the male characters; the cases and themes to which the women have no affinity. The early cinematic works of Hatamikia lack the women presence and role. However, in his later works when he enters the civil space and makes a focus on the social matters women gain some place and take role in the works of Hatamikia. But, these women are all showed as individual characters every time, who take prominence in the course of time gradually.

Cites

COMPARATIVE STUDY OF FEMALE REPRESENTATION IN THE COMMERCIALS OF CHANNEL 3 AND GEM TV

References

No record.

Cite

APA: Copy

MAHDIZADE, SEYED MOHAMMAD, & ESMAEILI, MASOUMEH. (2012). SEMIOLOGY OF WOMAN'S IMAGE IN IBRAHIM HATAMI KIA' S CINEMA. WOMAN IN CULTURE AND ART (WOMEN'S RESEARCH), 4(1 (11)), 85-105. SID. https://sid.ir/paper/160621/en

Vancouver: Copy

MAHDIZADE SEYED MOHAMMAD, ESMAEILI MASOUMEH. SEMIOLOGY OF WOMAN'S IMAGE IN IBRAHIM HATAMI KIA' S CINEMA. WOMAN IN CULTURE AND ART (WOMEN'S RESEARCH)[Internet]. 2012;4(1 (11)):85-105. Available from: https://sid.ir/paper/160621/en

IEEE: Copy

SEYED MOHAMMAD MAHDIZADE, and MASOUMEH ESMAEILI, “SEMIOLOGY OF WOMAN'S IMAGE IN IBRAHIM HATAMI KIA' S CINEMA,” WOMAN IN CULTURE AND ART (WOMEN'S RESEARCH), vol. 4, no. 1 (11), pp. 85–105, 2012, [Online]. Available: https://sid.ir/paper/160621/en

Related Journal Papers