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Information Journal Paper

Title

SALIENCY IN NEZAMI'S "KHOSROW AND SHIRIN" AND "LEILI AND MAJNOON"

Pages

  129-154

Abstract

 Between the two processes of self-attainment and SALIENCY, the formalists take the latter as the cause of the literary language. It becomes feasible in two forms: deviation from the automatic rules dominant to language, and addition of some rules to the ones which overrule it. In this way SALIENCY appears in two methods, that's, deviation from norms and addition to the rules. Even though its purpose is never to keep side track from the normative grammatical rules, some of them lead to non-grammatical structures and can't be considered as art creativity. In this essay we have dealt with some of the saliencies in NEZAMI's poetry (Khosrow and Shirin / Leili and Majnoon).In the present analysis, the saliencies existing in NEZAMI's poetry have been surveyed in four parts:1. vocabulary NORM DEVIATION, 2. Syntactic general rule, 3. Dialectic NORM DEVIATION, and 4. ACCUMULATIVE RULE.

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    APA: Copy

    GHEIBI, SEYYED MOHAMMAD REZA. (2012). SALIENCY IN NEZAMI'S "KHOSROW AND SHIRIN" AND "LEILI AND MAJNOON". PERSIAN LITERATURE (BAHARESTAN SOKHAN), 8(19), 129-154. SID. https://sid.ir/paper/168395/en

    Vancouver: Copy

    GHEIBI SEYYED MOHAMMAD REZA. SALIENCY IN NEZAMI'S "KHOSROW AND SHIRIN" AND "LEILI AND MAJNOON". PERSIAN LITERATURE (BAHARESTAN SOKHAN)[Internet]. 2012;8(19):129-154. Available from: https://sid.ir/paper/168395/en

    IEEE: Copy

    SEYYED MOHAMMAD REZA GHEIBI, “SALIENCY IN NEZAMI'S "KHOSROW AND SHIRIN" AND "LEILI AND MAJNOON",” PERSIAN LITERATURE (BAHARESTAN SOKHAN), vol. 8, no. 19, pp. 129–154, 2012, [Online]. Available: https://sid.ir/paper/168395/en

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