A STUDY OF THEME-CREATING BY LOW-FREQUENCY OBJECTS IN SAEB-E-TABRIZI’S POETRY

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ESFAHANI BOLANDBALAEI Y.; TADAYON NAJAFABADI M.; RASHIDI ASHJERDI M.

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Paper Information

Journal: JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB) Year:2016 | Volume:9 | Issue:2 (32) Page(s): 18-36

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Information Journal Paper

Title

A STUDY OF THEME-CREATING BY LOW-FREQUENCY OBJECTS IN SAEB-E-TABRIZI’S POETRY

Author(s)

ESFAHANI BOLANDBALAEI Y. | TADAYON NAJAFABADI M. | RASHIDI ASHJERDI M. | Issue Writer Certificate

Keywords

OBJECTSQ2

THEME-CREATIONQ2

SAEB-E-TABRIZIQ2

RHETORICQ2

STYLISTICSQ1

Abstract

As the prominent feature of Indian poetic style, THEME-CREATION tends to make or detect a relation and connection between a subjective matter and an objective one that apparently there is no relation between them. The poets' partial views in this era and their meditation on trifles are reasons why they select their surrounding OBJECTS as theme-creating elements. Thus Saeb, as the greatest theme-creator of Indian style in Iran, stresses deeply and accurately on the object and its depth and creates new themes by illustrating his ideal world and using literary techniques such as asteimus. He, indirectly, states his inner mood and his pure thoughts within it.Regarding theme-creating by low-frequency OBJECTS such as Bahleh (glove of falconer), little pen, Khelal-e-Dandan (toothpick), donbegodaz (a container in which the fat roasted), Shan (beehive), fard (paper), Kajak (a kind of crooked rod), magasran (fly whisk) and etc.; this study tends to find out how Saeb has looked at these OBJECTS to make new themes and what style he has used in its creation. And how do these kinds of theme-creating reflect the poet's hidden world and Safavid's social condition? Studying and analyzing these elements indicate asteimus as the best technique of theme-creating and represent artistic value of Saeb's poems and the extent of his imagination as well. Also by stating the poet's subjectivity through THEME-CREATION techniques, especially asteimus, his psychological and learned character are clearly reflected in terms of his beliefs and didactic and mystical thoughts. It also opens the doors to recognize living tools and their usage in Safavid's era.

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References

INDIAN’S OF SA’EB- TABRIZI POEM

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APA: Copy

ESFAHANI BOLANDBALAEI, Y., TADAYON NAJAFABADI, M., & RASHIDI ASHJERDI, M.. (2016). A STUDY OF THEME-CREATING BY LOW-FREQUENCY OBJECTS IN SAEB-E-TABRIZI’S POETRY. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), 9(2 (32)), 18-36. SID. https://sid.ir/paper/170425/en

Vancouver: Copy

ESFAHANI BOLANDBALAEI Y., TADAYON NAJAFABADI M., RASHIDI ASHJERDI M.. A STUDY OF THEME-CREATING BY LOW-FREQUENCY OBJECTS IN SAEB-E-TABRIZI’S POETRY. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)[Internet]. 2016;9(2 (32)):18-36. Available from: https://sid.ir/paper/170425/en

IEEE: Copy

Y. ESFAHANI BOLANDBALAEI, M. TADAYON NAJAFABADI, and M. RASHIDI ASHJERDI, “A STUDY OF THEME-CREATING BY LOW-FREQUENCY OBJECTS IN SAEB-E-TABRIZI’S POETRY,” JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), vol. 9, no. 2 (32), pp. 18–36, 2016, [Online]. Available: https://sid.ir/paper/170425/en

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