THE STUDY OF MUSIC IN THE ARABIC COMPOSITIONS OF SADI

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ZAKERI HAMED; AHMADI ABDOLHAMID; SHIRAZI MANSOORAH

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Journal: RAYS OF CRITICISM IN ARABIC AND PERSIAN Year:2012 | Volume:2 | Issue:7 Page(s): 113-127

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Title

THE STUDY OF MUSIC IN THE ARABIC COMPOSITIONS OF SADI

Author(s)

ZAKERI HAMED | AHMADI ABDOLHAMID | SHIRAZI MANSOORAH | Issue Writer Certificate

Keywords

SADI

MUSIC

ARABIC COMPOSITIONS

Abstract

The essence and the beauty of a poem relies heavily on elements such as MUSIC. MUSIC covers a wide area which is truly grasped and applied by masters of rhetoric. SADI is also considered as one of the greatest Persian poets who has depicted his unique talent in this field. SADI’s poetry is genuinely MUSICal. There have been some researches conducted in this respect. However, one feels the need to focus on his Arabic composition also. This research has focused on various levels of MUSICality in SADI’s poetry. After some introductory notes on poetry and the MUSIC of poetry, the researcher has focused on different levels of MUSIC in his Arabic poetry. Kolliyate SADI by Abaha-ol-Dine Khorramshahi is used as the primary source of Arabic poems.

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References

القافیة فی شعر السیاب «فاعلیة الدلالة وأنماط الأداء»

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APA: Copy

ZAKERI, HAMED, AHMADI, ABDOLHAMID, & SHIRAZI, MANSOORAH. (2012). THE STUDY OF MUSIC IN THE ARABIC COMPOSITIONS OF SADI. RAYS OF CRITICISM IN ARABIC AND PERSIAN, 2(7), 113-127. SID. https://sid.ir/paper/212611/en

Vancouver: Copy

ZAKERI HAMED, AHMADI ABDOLHAMID, SHIRAZI MANSOORAH. THE STUDY OF MUSIC IN THE ARABIC COMPOSITIONS OF SADI. RAYS OF CRITICISM IN ARABIC AND PERSIAN[Internet]. 2012;2(7):113-127. Available from: https://sid.ir/paper/212611/en

IEEE: Copy

HAMED ZAKERI, ABDOLHAMID AHMADI, and MANSOORAH SHIRAZI, “THE STUDY OF MUSIC IN THE ARABIC COMPOSITIONS OF SADI,” RAYS OF CRITICISM IN ARABIC AND PERSIAN, vol. 2, no. 7, pp. 113–127, 2012, [Online]. Available: https://sid.ir/paper/212611/en

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