IN FRENCH: LE RYTHME ET LA RIME DANS LES ROBÂÏÂT DE FITZGERALD:TRADUCTION OU CRÉATION LITTÉRAIRE? (IN ENGLISH: RHYTHM AND RHYME IN FITZGERALD’S RUBÁIYÁT: TRANSLATION OR LITERARY CREATION?)

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RAGUET CHRISTINE; MAHDAVI ZADEH MOJGAN; NAKHAEI BENTOLHODA

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Paper Information

Journal: REVUE DES ETUDES DE LA LANGUE FRANCAISE Year:2016 | Volume:7 | Issue:13 Page(s): 27-36

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Information Journal Paper

Title

IN FRENCH: LE RYTHME ET LA RIME DANS LES ROBÂÏÂT DE FITZGERALD:TRADUCTION OU CRÉATION LITTÉRAIRE? (IN ENGLISH: RHYTHM AND RHYME IN FITZGERALD’S RUBÁIYÁT: TRANSLATION OR LITERARY CREATION?)

Author(s)

RAGUET CHRISTINE | MAHDAVI ZADEH MOJGAN | NAKHAEI BENTOLHODA | Issue Writer Certificate

Keywords

IN FRENCH: TTRADUCTIONQ2

CRÉATIONQ2

RYTHMEQ2

SENSQ2

ROBÂÏÂTQ2

FITZ GERALD IN ENGLISH: TRANSLATIONQ2

CREATIONQ2

RHYTHMQ2

MEANINGQ2

RUBÁIYÁTQ2

FITZGERALDQ2

Abstract

In French:En se fondant sur des approches traductologiques, cet article se propose de faire une analyse critique de la première traduction anglaise des ROBÂÏÂT d’Edward FITZGERALD. En général, Fitz Gerald a-t-il réussi à transmettre le RYTHME et la musicalité unique du texte persan dans sa traduction? Est-il également parvenu à conserver l’interaction sémantique et rythmique du texte original dans sa version? En s’appuyant sur les théories de certains spécialistes de la traduction tels Henri Meschonnic, Antoine Berman, Derek Attridge, et Gérard Desson, cet article vise à examiner les questions soulevées par la traduction du RYTHME persan ainsi que de la corrélation entre le SENS et le RYTHME du texte original, et ce qui se retrouve dans la première édition des quatrains de FITZGERALD. In English:On the basis of the translation strategies mentioned below, this article offers a critical analysis of the first English translation of Edward FITZGERALD’s RUBÁIYÁT. In general, we may wonder if FITZGERALD was successful in conveying the unique RHYTHM and musicality of the Persian text in his translation. Did he also succeed in maintaining the semantic and RHYTHMic interaction of the original text? According to the theories of certain scholars of translation studies such as Henri Meschonnic, Antoine Berman, Derek Attridge, and Gerard Dessons, this article seeks to examine the questions raised by the translation of the Persian RHYTHM, the correlation between the MEANING and the RHYTHM of the original text, and what exists in the first edition of FITZGERALD’s quatrains.

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APA: Copy

RAGUET, CHRISTINE, MAHDAVI ZADEH, MOJGAN, & NAKHAEI, BENTOLHODA. (2016). IN FRENCH: LE RYTHME ET LA RIME DANS LES ROBAIAT DE FITZGERALD:TRADUCTION OU CREATION LITTERAIRE? (IN ENGLISH: RHYTHM AND RHYME IN FITZGERALD’S RUB?IY?T: TRANSLATION OR LITERARY CREATION?). REVUE DES ETUDES DE LA LANGUE FRANCAISE, 7(13 ), 27-36. SID. https://sid.ir/paper/223118/en

Vancouver: Copy

RAGUET CHRISTINE, MAHDAVI ZADEH MOJGAN, NAKHAEI BENTOLHODA. IN FRENCH: LE RYTHME ET LA RIME DANS LES ROBAIAT DE FITZGERALD:TRADUCTION OU CREATION LITTERAIRE? (IN ENGLISH: RHYTHM AND RHYME IN FITZGERALD’S RUB?IY?T: TRANSLATION OR LITERARY CREATION?). REVUE DES ETUDES DE LA LANGUE FRANCAISE[Internet]. 2016;7(13 ):27-36. Available from: https://sid.ir/paper/223118/en

IEEE: Copy

CHRISTINE RAGUET, MOJGAN MAHDAVI ZADEH, and BENTOLHODA NAKHAEI, “IN FRENCH: LE RYTHME ET LA RIME DANS LES ROBAIAT DE FITZGERALD:TRADUCTION OU CREATION LITTERAIRE? (IN ENGLISH: RHYTHM AND RHYME IN FITZGERALD’S RUB?IY?T: TRANSLATION OR LITERARY CREATION?),” REVUE DES ETUDES DE LA LANGUE FRANCAISE, vol. 7, no. 13 , pp. 27–36, 2016, [Online]. Available: https://sid.ir/paper/223118/en

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