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Information Journal Paper

Title

THE FILM ENTITLED ONE THOUSAND AND ONE NIGHTS IN THE MIRROR OF LITERARY RECREATING

Pages

  49-69

Abstract

 The present article examines the specific interpretation of Steve Barron of the book entitled ONE THOUSAND NIGHTS in recreating it in the film. The issue is how much the film has affinity with the text and how much is it far from it, is it possible to add the new interpretations to the text of ONE THOUSAND NIGHTS? The goal approves that recreating is done, but it is not copy, instead it is a new cultural works in the artistic sublimity. The essay tries to adapt the film of ONE THOUSAND NIGHTS by Barron with Persian, Arabic text of ONE THOUSAND NIGHTS, the results show that Barron has made ONE THOUSAND NIGHTS his own property due to his own world view far from the text, to recreate Orient. Methodology is based on literary adaptation of Linda Huchman who concerns with the origins.

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    Cite

    APA: Copy

    ROOZBEH, ROHLAH, & ANUSHIRAVANI, ALIREZA. (2016). THE FILM ENTITLED ONE THOUSAND AND ONE NIGHTS IN THE MIRROR OF LITERARY RECREATING. Journal of Comparative Literature, 6(22), 49-69. SID. https://sid.ir/paper/246163/en

    Vancouver: Copy

    ROOZBEH ROHLAH, ANUSHIRAVANI ALIREZA. THE FILM ENTITLED ONE THOUSAND AND ONE NIGHTS IN THE MIRROR OF LITERARY RECREATING. Journal of Comparative Literature[Internet]. 2016;6(22):49-69. Available from: https://sid.ir/paper/246163/en

    IEEE: Copy

    ROHLAH ROOZBEH, and ALIREZA ANUSHIRAVANI, “THE FILM ENTITLED ONE THOUSAND AND ONE NIGHTS IN THE MIRROR OF LITERARY RECREATING,” Journal of Comparative Literature, vol. 6, no. 22, pp. 49–69, 2016, [Online]. Available: https://sid.ir/paper/246163/en

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