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Information Journal Paper

Title

FORMALISM APPROACH TO SUBSTANCE, METHODS&OBJECTIVES OF MONTAGE

Pages

  91-115

Abstract

 There is two different approaches to MONTAGE among Formalists, First one explains MONTAGE as resolving of the material into its elements and subsequent building from them of a filmic whole (Constructive Editing). In second approach, MONTAGE is a DIALECTIC process to make meaning from a CONFLICT. In this article we want to compare these approaches and look for differences and similarities to unify two opposite approaches. First of all we need to know how they approach to Material of MONTAGE (or Movie), Form and finally to Process itself. So we have few questions: How different is Material of MONTAGE in each approach? Which Concepts are similar between two approaches? How we can unify those approaches? How different approaches to MONTAGE it-self makes differences in methods of MONTAGE.To find answers we will study Eisenstein's Film Form and Film Sense also Pudovkin's Film Technique and Film Acting and some of their classic movies. At the end of this article we hope to achieve an united formal approach to MONTAGE of movies.

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    APA: Copy

    HASHEMI, SEYED MOHSEN, & HOSSEINI GOLKAR, MORTEZA. (2015). FORMALISM APPROACH TO SUBSTANCE, METHODS&OBJECTIVES OF MONTAGE. JOURNAL OF RADIO AND TELEVISION, 11(26), 91-115. SID. https://sid.ir/paper/259479/en

    Vancouver: Copy

    HASHEMI SEYED MOHSEN, HOSSEINI GOLKAR MORTEZA. FORMALISM APPROACH TO SUBSTANCE, METHODS&OBJECTIVES OF MONTAGE. JOURNAL OF RADIO AND TELEVISION[Internet]. 2015;11(26):91-115. Available from: https://sid.ir/paper/259479/en

    IEEE: Copy

    SEYED MOHSEN HASHEMI, and MORTEZA HOSSEINI GOLKAR, “FORMALISM APPROACH TO SUBSTANCE, METHODS&OBJECTIVES OF MONTAGE,” JOURNAL OF RADIO AND TELEVISION, vol. 11, no. 26, pp. 91–115, 2015, [Online]. Available: https://sid.ir/paper/259479/en

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