An Analytic Study of Compression in Cinema, Based on Conceptual Blending Theory: A Case Study of Dancing in Dust

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

Molavi Vardanjani Arezu; sharafi sasan; VEISI ELKHAS; SHEKARAMIZ MANSOORE

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: Research in Western Iranian Languages and Dialects Year:2019 | Volume:7 | Issue:24 Page(s): 93-115

Download Full-Text

Persian Verion

View:

873

Download:

Cites:

Information Journal Paper

Title

An Analytic Study of Compression in Cinema, Based on Conceptual Blending Theory: A Case Study of Dancing in Dust

Author(s)

Molavi Vardanjani Arezu | sharafi sasan | VEISI ELKHAS | SHEKARAMIZ MANSOORE | Issue Writer Certificate

Keywords

conceptual blending theory

integration

compression

vital relation

Dancing in Dust

Abstract

compression is one of the key concepts in conceptual blending theory (Fauconnier & Turner, 2002) which as part of Cognitive Semantics seeks to render a general model for meaning construction. compression helps human beings to perceive diffused consequent chains and logical reasonings. This study aims to analyze the hows and whys of compression in the light of CBT, in "Dancing in Dust", an Iranian film by Asqar Farhadi (1381). Outcomes reveal among the outer space vital relations, the representation is used more frequently than others and the rest of them like analogy, change, cause-effect, part-whole, time, disanalogy, and place consequently follow it. These relations are compressed in the blended space converting to inner space vital relations as uniqueness, identity, analogical time, category, and property. Besides, findings unveil the insufficiency of CBT in disclosing the temporal consequence of narration in the genre of film, although in grasping sophisticated ideas it is efficient.

Cites

No record.

References

No record.

Cite

APA: Copy

Molavi Vardanjani, Arezu, sharafi, sasan, VEISI, ELKHAS, & SHEKARAMIZ, MANSOORE. (2019). An Analytic Study of Compression in Cinema, Based on Conceptual Blending Theory: A Case Study of Dancing in Dust. JOURNAL OF WESTERN IRANIAN LANGUAGES AND DIALECTS, 7(24 ), 93-115. SID. https://sid.ir/paper/265997/en

Vancouver: Copy

Molavi Vardanjani Arezu, sharafi sasan, VEISI ELKHAS, SHEKARAMIZ MANSOORE. An Analytic Study of Compression in Cinema, Based on Conceptual Blending Theory: A Case Study of Dancing in Dust. JOURNAL OF WESTERN IRANIAN LANGUAGES AND DIALECTS[Internet]. 2019;7(24 ):93-115. Available from: https://sid.ir/paper/265997/en

IEEE: Copy

Arezu Molavi Vardanjani, sasan sharafi, ELKHAS VEISI, and MANSOORE SHEKARAMIZ, “An Analytic Study of Compression in Cinema, Based on Conceptual Blending Theory: A Case Study of Dancing in Dust,” JOURNAL OF WESTERN IRANIAN LANGUAGES AND DIALECTS, vol. 7, no. 24 , pp. 93–115, 2019, [Online]. Available: https://sid.ir/paper/265997/en

Related Journal Papers