LANGUAGE OF LITERATURE, LANGUAGE OF CINEMA

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LETAFATI R.

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: PAZHUHESH-E ZABANHA-YE KHAREJI Year:2006 | Volume:- | Issue:31 Page(s): 95-108

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Information Journal Paper

Title

LANGUAGE OF LITERATURE, LANGUAGE OF CINEMA

Author(s)

LETAFATI R. | Issue Writer Certificate

Keywords

MOUCHETTEQ3

BRESSONQ3

TRUE TRANSLATIONQ3

LITERATURE AND CINEMAQ3

Abstract

To achieve a TRUE TRANSLATION, one must understand the spirit of the literary work. In the film version of the novel MOUCHETTE, by Georges Bernanos, Robert BRESSON has been successful in understanding the spirit of the story; both in form, and in content. BRESSON has turned the specific literary expressions into cinematic expressions; and has regarded the ideology of Bernanos throughout the way. Searching for God over human pain and sufferings is the common goal of the writer and the filmmaker; so is the lack of psychological aspects in the dialogues. This is how a work of art has been manifested in cinema; a work of art which is an adaptation from the world of literature.

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APA: Copy

LETAFATI, R.. (2006). LANGUAGE OF LITERATURE, LANGUAGE OF CINEMA. PAZHUHESH-E ZABANHA-YE KHAREJI, -(31), 95-108. SID. https://sid.ir/paper/383816/en

Vancouver: Copy

LETAFATI R.. LANGUAGE OF LITERATURE, LANGUAGE OF CINEMA. PAZHUHESH-E ZABANHA-YE KHAREJI[Internet]. 2006;-(31):95-108. Available from: https://sid.ir/paper/383816/en

IEEE: Copy

R. LETAFATI, “LANGUAGE OF LITERATURE, LANGUAGE OF CINEMA,” PAZHUHESH-E ZABANHA-YE KHAREJI, vol. -, no. 31, pp. 95–108, 2006, [Online]. Available: https://sid.ir/paper/383816/en

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