Journal of the Stylistic of Persian Poem and Prose
Year:2013 | Volume:5 | Issue:4 (18)|Papers Count:28

Deceased Dr. Mir Khosrw Farshidvard (1926-2009) was one of famous third generation literary men and of master poets of the date. His main fame is in the grammatical and linguistic researches. The article tries to ponder his works from different window, that is, investigation of that deceased’s poetries have been left remained in 3 books; “revolution epic”, “defend of your country” and “love prayer”. In the writing the features and novelties of the poems are shown, for more information the annuls of his activities has been set forth.

Khwaja Salman Sawagi was born in the eighth century in saweh of the last Known chorus ode before The Safavids considered owes his fame PROSPER Mot. this article following The necessity to answer these questions: how is quantitative and qualitative status of Similes and metaphors, and kinds of it in Salman generalities? Then how can image and judge the weight And various sources of inspiration and value of his imaginations applications? After simile, paraprofessionals metaphor, analogies, moknymetaphors and assured metaphor type of diagnosis of the type of Diagnosis form his imagination. Similes and metaphors in praise of his beloved and praised and description of the beauty of the nature, describing meetings and Parties were used in the public domain of lyrics and lyricism respectively. the poet More inclines to similes and rhetoric and singular sense. there is no Detailed metaphor in his poetry. Salman similes used in composed poems and Most of the components are sense to sense. The most common compound in the similesare in Shape and color, then share the results. Salman’s most important stylistic creativity in the wrapping The proportion with similes.

F. Tavalaly (1298 SH. No.1364 HL Shiraz.) is one of the contemporary poets has discussed, In Ode, seventeen poems pieces with new approache, to different themes ranging from traditional and new and with a Language near to his own time and mixed to old age language. The analysis shows that poets like F. Tavalaly and other contemporaries havetaken steps to update the frame of ode and got success however, due to changes in audience taste or inability of poet except in a few cases, Failed to meet with general acceptance. Their work is generally done in two axes: The use of words and expressions in the time and even European words along old words and using the old syntactic direct structure of sentences, statement of social and political issues of the day in Some of the usual and customary matters with special ode in times pastparticularly Khorasani style.

One of the style unique practices of Indian style poets such as Kashani which has discriminates His poetry from other poets and after him and creates meanings and themes of Poem (unknown meaning) in his fellow and his poem are the contradiction of meanings and contexts. The purpose of this technique in Indian style, especially in the Kashani’s poem is That he’s trapped themes and meanings of the motifs and themes of alienation and avoidance of stereotypes in common and traditional Persian literature, with contrast to the norm and breaking the habit has broken the poetic traditions In past times, and giving an entirely new meaning to the words, used a subjectand poem phenomena to Two contrasting meaning (negative and positive or praise and censure). This paper discusses research on this style in poetry of Kashani, along with evidence from other poets of Indian style.

The article has considered the influencerate of haft owrange jami (“898- 817 AD) on” haft manzare hatefi (927-822 AD) and the impact of both on each other. It is because of the tools and approaches to literary study, the role of specific methodologies Has addressed this issue through the lens of methodologies and approaches of the three methodologies (Language, thought, and literature), a literary approach, particularly expressive techniques is as a measure of these two literary works.More first expression Techniques of the two casesgenerally was made clear, and then the influence of jamion the hatefi was considered.in The second part hundred verses selected from each work, then set the tables and compared them in the chart. The research results show that, contrary to the initial impression, despite of Hatefi’s expression of being student, Jami is not in imitationbut independent poet.

One of more frequency domain characteristics of the Khorasani style in rhetoric, being evident both sides of which this matter is so prevailed in this style which has been converted to a methaphore norm pattern in the khorasani style; thus exit of this norm, is important in stylistic and literary. in stylistic because of contrary to the view of styles and in the literary because of de-familiarization and siversity in the form element of metaphore.Is simulated This study focuses on The first hundred methaphores of thirteen famous poets of the style shows the percent of exit from the metaphor norm in each of poets. Sample results of this statistic community show that Mean Exit in this period, about nine percent. The percent -with some caution- can be a criterion for consideration of other Khorasani style poets. Moreover of stylistic study and its results, part of this study, is allocated to some subjects of New theory about the rational divisions and donation to it.

the story “unfinished game” is the first story of another place of the narrative story collection. in the story childhood Complex of main character in middle, penetrates into limits of unconsciousIs obtained from reopening of the complex individual hero archetype in youth. In This story we cananalyzethe personal unconscious impulses to open the complexes via His dreams flashbacks and memories and the results obtained It was found that the awareness and momentum can include positive or negative aspects of complex psychological which Achieved from childhood to middle age without notice of them in his inside.The name of ‘incomplete game’ is derived from the last source of momentum and complex impulse.which this play has the negative and destructive effect on the psyche of both characters. Fiction Name The personal unconscious is the narrator of the game running on Character (ravi and A. derakhshan) and peak a new dichotomy between victory and Failure in both.

Verbosity is one of The most common literal artifacts which is set forth in the semanticsand the like Other rhetorical devices have implicit meaning. The main problem of the paper is that despite whatsoever is in the semantic books implicit meaning of verbosity is different with verbosity methods “with “implicit redundancy means”.And what is effective on the beauty and style on the reader is not how wordy statement of it but is its Implication. The author believes that the semanticsprinciples should be understood ofthe literature masterpieces, to explain this phenomenon, considers verbosity style and its implicit meaning in the story Rostam and Esfandiar of Shahnameh of Ferdowsi, and come to the conclusion that all Cases of verbosity have implicit meanings and this implicit meaning is the reason of being artifact of Ferdowsi verbosity, Rostam and Esfandiar has been very effective of the impact of the story.The frequency of this rhetorical ploy is considered to the extent of style characteristics of the epic (shahnameh).

Hatefi kharjerdI Jami (822-927) of distinguished poets in Tymorid era is particular in poetics - specially in masnavi writngand to follow nezami created a fictional poets Best of all, is tamournameh. a historical epic of battle reports, braveries, conquers, and Timor’s destructions which wrote it on the Foundation of Sharaf al-Din Ali Yazdi’s Zafarrnamh. And in the build and development of it has patterned either Shahnameh Ferdowsi and nezami’s eskandarnamh and has brought a combination of style and structure of both books in his book. A. lexical and grammatical Archaism, and some rhetorical devices have been effected more than shahnameh, and some metaphorisms and theme building is of the most general structure of skandarnameh. configuration, less-applied consonants, Mongolian and Turkish w is epic and, the structure of Askndrnamh book. Combination of the names of low Svthay, Turkish and Mongolian words, extensive and deliberative explanations, more and narrow metaphorical and allegorical images and sometimes non-epic, rhetoric and eloquence and … Ghyrhmasy Industry Picturesque and expressive techniques and... is The remarkable feature of this collection. The article you are reading is an attempt to report the these points and the answer of this main question: What are the characteristics of Tamarnameh language.

Affidavit to the Arabic language is one of the characteristics of Persian prose in all courses. in the first period Persian prose Despite the lack of the Arabic affidavit,, the author will translate it as Soon as mentions the phrase in Arabic. this norm exists throughout the Samanid period. After this the norm is seen in Ghaznavid and Seljuk period in the books as Sistan history that written in pursuance of period Samani prose in books and in Sofia ones. in spite of this many instances of Arabic phrases translation can be found in Qabousnameh, Kalila & Dimna and Chaharmaqaleh. this kind of simple translation which is intended to simplify the text for the reader is got to the apex in its own by ravandi as the auther of rahatolsodour (which his fluent translations are well-known).With Further development of Arabic language in the Persian prose this translation is neglected gradually and formed a new type of translation in which the author creates a Persian expression using the words and Arabic expressional subject including verse, hadith, poem, and proverb and then mention the Arabic expression. This type of translation aiming of creating a broader field for rhetoric is translated in all technical prose works and is taken in to account as one of the specifications of prose. In this paper it is attempted to show These features that the difference between prose “Morsal”, (simple prose) facultative and translation of technical Arabic terms is a defining style characteristic.

Childhood is the sweet period of which memories will remain for years to come. The experiences of which effect on the life of the human future. The literature and In particular poem is one of the areas that would be childhood memories of that period. In this paper allegorical (pointing) to share childhood memories has been Explored (three criteria: cartoons of Childhood, lessons and games and books of Early childhood) in eighty decade of Iran poetry. Research questions 1.does Sex affection the poets usage in reference to the three criteria (cartoons, games, lessons)? 2. What is the model of the three criteria? 3. around what issues are Lyric themes with reference to these criteria more? Materials and Methods: One hundred collections of poetry published in the years 2001 or 2011 Of these, 81, at least one of the three criteria mentioned above exist. Among The 81 series, 48 series male and 33 series poet were women Many examples of references to poems in which there were 144 cases. for statistical analysis of data (Chi-square and crosstabs), consensus Table and “chi-square” testHave been performed. and frequency tables were used by the software SPSS 16.

Mullah TahirNaien’ divan (demise, 1010 LH.) is a unique version Of manuscript is kept in Tabriz Central Library.This paper presents that version as well as poetry and His expression seems to say some linguistic innovations recently occurred.

“seid-Ashraf aldin Gilani is in the Center of Iran” Constitutional Poetry Has written the most popular and simple poem of this period, and his poetic mission is to inform the community and reform the corruption. He is a poet who defends of committed literature which was publishing his poetry in literary newspaper nasimeshomal and addressing common people. Syed Ashraf in Nasimshomal sought Molansraldyn approach.Molansraldyn comic news paper in the Caucasus was one of the most literary events Would cripple the Iranian Constitutional poem. Syed Ashraf poem style was quite impressed by Saber AA, (Molansraldyn poet) and he recited his literary works based on this school.Sayed’s poems behavior dealing with saber’s is three fold: adaptation, translation, and response to saber’s poems. This paper investigates the different types of effectiveness of Sayed Ashraf from Mirza Ali Akbar Saber’s poetry. A newspaper that was One of the main sources of Iranian literary modernism of Constitutional Era.

Poets to increase their attractiveness have always used the word and influence of various Poetic techniques and methods. One of the ways that increases the artistic level of poem and its frequency in the word creates the style specification is consideration to the closing speech. Hamid Mossadegh is of contemporary poets that pays attention to the speech closing methods in his poems.so that forms One of the outstanding characteristics of his poetry style. This paper has tried to show the frequency and methods for providing a closing speech in poetry of Mosaddegh, that readers will be facing leading feature of His speech style.

“Kerdegar is used in 216 verses of Shahnameh of Ferdowsi.Shahnameh experts and descriptors have used the word “Kerdgar” in the verse <<beacause such a me joined to the kerdegar /could conquer and returned>>from jamshid storey as its prevailing meaning <<GOD>>; while the article documented to the vertical axis of the storey and the horizontal axis of verse words and Prepositions in different recordings and epic verse in multiple versions shows, the order of the words in the verse is “jamshid” not “god”.

The survey Paper of the methodologies is one of the stories in the third book of the spiritual Masnavi which has been explained completely. Urban and rural stories in the number of verses is as the novels of romi’s Masnavi. In this paper we have tried to examine briefly romi technique for converting a folk tale to literary workand to why and how to employ these technique. Intention of writing these lines showing an understanding of Rumi from the language and Functions of literature and art language, also expressed concern that the reader is aware that How deep and yet secret connection is there between language and meaning by the writer. Since the story is written in the form of couplets, the first element of Fiction was discussed and the various aspects of the methodologies were considered the literary set includes three levels of the literary, expression and semantics to show how Mevlana via some literary techniques converted popular fiction to literary works.

Hazin lahiji in his lyrics is one of real follower of hafez poem. of his poems it is turned out that hafez thought, themes and even words and word combinations are sprit and life spring of this lover of hafez speech which so ubiquitous has been appeared in all over his poems. The research is intended to open a new channel toward scholars and lovers of poetry and lyric poems of Lahiji and prove that although in lyrics he has mentioned of great poets such as: Sana’i, Attar, araqi, Rumi, Sa’adi, Owhadi, jami, and as mentioned Babafaghany and naziri and has written in following them, but most of all hazin’s speech is closer to hafez ‘s and from many directions: vocabulary and composition, music and rhyme weight, imagination and Literary beauties and poetic ideas and themes of love and mysticism, are in seeking to follow Hafez.

Bayhaqi researchers in more pay attention to his fact narrating, on time brevity and verbosity has made the history as the interestingstory, but attention to the lingual art and particularly his combination ability was under implication.in the paper it is tried to consider Bayhaqi Combination art. This particular aspect of the Bayhaqiart according to defamiliarizationis analyzed based on Defamiliarization of language. Other matters dealt with in this paper Is that most of the combinations of Bayhaqi history is made of the ability of mentioned author. Bayhaqi has done this in different situations of story world to exercise The purpose of his word. Derivative Combination of Bayhaqi novellabeled as follows: prefixe compounds and quasi prefix compounds, Subject adjectives, object adjectives, noun compounds adjectival compounds, and bonding words. The overall result of this study is that Bayhaqihas made numerous good compounds indicating that he has mastered the art of making language Story. Therefore it can be said that the author’s ability to pay in the story facts and his amazing description of different scenes, creating unique combinations in the language field is Another distinctive trait of Bayhaqi.

Cohesion is among the most essential elements in the creation of a text Fully needs to move a message to which in the article using the key ideas of Michaelholliday and R. Hassan. The question arises how Beizaee used the elements in the Three-enumeration and Each of these elements devoted what place in these three texts. A. Halliday and Hasanare divided cohesive elements into four categories: reference, Removal and replacement, conjunctions and lexical cohesion. The authors believe that using Such a tool for text analysis and criticism of dramatic literature, drama, Will realize the real value of the text because in such analysis follow specific and exact structure as Identification and Evaluation of creating elements of consistency, which as a result Data can be obtained from the analysis presented in a transparent framework. The result of the study showed that the use of cohesive elements in all three of texts has proportion. How Using cohesive elements in the text and compare each of the four elements of coherence in all three of the other results of this paper.

Khawaja Mohammad Hussain-Ben-Ghiyathoddin mohammad Mashhadi pen named SanaI is the leading the chorus ode of Tenth century AH. He spent a part of his life in Iran and other parts in India. Khaje Hussein is a poet of a time when Persian poetry was being transited from an era to other. Thus, some researchers know him from poets Has the greatest impact on the style change. Mashhadi Az snayydivan, eskandarnameh and Saghinameh and a letter that none of them have been published. In this paper, while overview of the Sana’ i works considers Linguistic and literary methodologies characteristics of poetry and given the poetry of his contemporaries has considered Sana’ i effect in change of the Iraqi style to Indian style.

Mechanism technology development and progress in the modern world, has become one of the causes in minimalism. This minimalism is also known so is a process that all aspects of life, from art and SPI No. story to SMS and email are included! Literary minimals are short works, in which a writer shows a main character in the main event and this effect altogether invoke a unit picture. the literary minimals are short works in which a writer shows a main character in the main event and this invokes a unit impact. Almost minimalist style is between short poetry and short sentence. However, some argue that the minimalist are brought out this time, we investigated the story lines and characters in short in The Shams divan to show that the stories contained in the Short phrases, however, are stronger today and enjoy a great favor, but in reality they are rooted in ancient literary works.

BabafarId-al -din ShekarGanj one of celebrity Sufisofin the seventh century is cults Cheshtyh. Despite the many books about in general and specifically written about BabaFarid still some aspects of his life as a poet lies in an aura of ambiguity. Studing from great Islamic Sufi my stic life deal of knowledge and ideas and thoughts revolve Cheshtyh credo seems tobe necessary in the subcontinent.In this paperan attempt has been made to hisspiritual life, journey, training and education will be examined with a critical approach.

Base of Gazelle work in kimiyayesaadat being used as a training-mystical work is statement of ethical and divine issues using the story and purpose of the author of the story did not mention the pleasure induced by the story but the only excuse for the effective storytelling of message and the motif with the best in simplest way. For this reason, the author has used the method of building elements of stories. Since the character of the infallible Imams (as) are the real and historical, as a result Ghazali’s characterization of them is based on reality rather than his mind. In fact, his job is search of Hadiths, and the selection and processing them as Story. Here is the question posed is: the narratives of The Imams, which forms an important part of KM’s stories, how much is seen story elements and Ghazali structureis as The way the authors of our time.

The time of Slajoghs and the cultural atmosphere of their society, and the concern of king of this dynasty to scholarship and literature, provided the necessary background for flourishing cultural figures and scholars. Among the scholars who were flourished in this context one can refer to Kadi Nasih Al-din Arrajani (460-544 A.H.). He held the position of judge in the cities of Khuzestan and Fars; furthermore, he was a Persian poet composing in Arabic. The lack of knowledge about this great figure in Iranian circles of knowledge is regrettable considering the great contribution he made to our literature. In this essay we introduce him and we shall study his contribution and his services to.

This paper seeks to show features of nezami quatrains style. The literature format in nezami divan has a special place in the literary style and no research about It has been done. In this article, nezami art genres in light of the quatrain composing of contentappears the Illustration, literary and aesthetic industries. For this purpose, this study, in three levels of intellectual, literary, linguistic analysis has paid attention to nezami quatrains. This study indicated that his ability in the literary form of the potential is high, and the poems in the Themes and rhetorical terms are significant.

in this paper we will investigate Qaba zereh zadan (Dress wearing like armor) in the Khaqani’s poetry and explanations lexicographists have written.negligence to khaghani artifact feature in the area of figurative meaning of words has made the compound Reporters to mistake. some “cassock, armor handling”, and have described it. Some argued it except of that is in the combination. writer in This paper investigates the composition of Khaqani’s poetry and then the captions Between exponents and in the end concluded that the evidence of poetry and prose of Khaghani. Originally Qabá zereh zadan is true which just means “Dress wearing like armor”.

Also written works of poetry and prose writings of the past remains, are in restoration, presentation and recognition, The spiritual capital of Persian language and literature can be proud because each of these are A mirror that makes it seem thought way of the past. Recovering and identifying the Many of these cultural collection not yet known and obscure works are great and plentiful. One of the worksnot Edited, printed, and even so far presented, is a prose which imitates the Mevlana Rumi written and is unknown works of Al-Kadar by Mir Muhammad Dehlavith written about three thousand verses in 1069 LH. This is the first time of the short introduction of the work to some of the Stylistic features, as works written in the eleventh century, in Indian style, and expresses the high combinations and attention to Lots of slang words and themes.

The statement of creation and oldness of the universe including many of the issues more intellectuals have considered rationally at all times. Among them Islamic scholars of all schools of cognitive diversity have not been removed from the rule. The schools including philosophers, Asharites, Mu’ tazilites, Batnyh, mystics, etc. according to the type of each worldview, style of Log in rational debate, How to state the problem and other matters that cause to overrate the one school to other schools, for this fundamental question - whether or not the universe is proceeded to non existence –have found separateresponse. The literature of every nation, however, is the complete mirror of the best ideas and Motivationsof that race, our precious literature is the bed of intellectual conflict and confrontation of this group of prominent thinkers which each was belonged to one of these different schools. This article mentionsideas and sayings of some of the leading thinkers of the Islamic Opinions, and then comments and verses of Rumi as the best representative of the intuitive knowledge, and mysticism –and Hakim Nasirkhosro -as the most prominent representative of the Ismaili theology thinking -are devoted to creation and oldness of the universe.