THE DEFINITION OF PARODY IN POST-MODERNISM ERA

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SADRIAN MOHAMMAD REZA

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Journal: JOURNAL OF LITERARY THOUGHTS Year:2009 | Volume:1 | Issue:1 Page(s): 45-69

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Title

THE DEFINITION OF PARODY IN POST-MODERNISM ERA

Author(s)

SADRIAN MOHAMMAD REZA | Issue Writer Certificate

Keywords

PARODYQ2

DIALOGIC CRITICISMQ3

BAKHTINQ2

STRUCTURALISMQ2

POST STRUCTURALISMQ3

Abstract

The vast diversity of the proposed definitions of PARODY, both before and after the twentieth century, can be an emblem of the lack of a thorough agreement amongst the literary critics about the definition of this literary technique (genre?!). While there is not a comprehensive all-accepted definition of PARODY, modern and postmodern literatures both exhibit a wide application of it. After a historical survey of the definitions of PARODY from its first appearance (in European literature especially English literature), this study endeavours to put forward a more comprehensive and more applicable definition of PARODY mainly based on BAKHTIN’s DIALOGIC CRITICISM, Genette’s structural viewpoints, and Barthes’s post structural theories. PARODY then can be defined as a deliberate imitation or transformation of a socio-cultural product (including literary and non-literary texts, and utterance in its very broad BAKHTINian understanding of it) that recreates its original subject with at least a playful stance.

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APA: Copy

SADRIAN, MOHAMMAD REZA. (2009). THE DEFINITION OF PARODY IN POST-MODERNISM ERA. JOURNAL OF LITERARY THOUGHTS, 1(1), 45-69. SID. https://sid.ir/paper/218711/en

Vancouver: Copy

SADRIAN MOHAMMAD REZA. THE DEFINITION OF PARODY IN POST-MODERNISM ERA. JOURNAL OF LITERARY THOUGHTS[Internet]. 2009;1(1):45-69. Available from: https://sid.ir/paper/218711/en

IEEE: Copy

MOHAMMAD REZA SADRIAN, “THE DEFINITION OF PARODY IN POST-MODERNISM ERA,” JOURNAL OF LITERARY THOUGHTS, vol. 1, no. 1, pp. 45–69, 2009, [Online]. Available: https://sid.ir/paper/218711/en

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