L’INCIPIT DANS LES CONTES FANTASTIQUES DE THEOPHILE GAUTIER: ETUDE SELECTIVE DE LA CAFETIERE ET LE CHEVALIER DOUBLE

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AYATI AKRAM

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Journal: REVUE DES ETUDES DE LA LANGUE FRANCAISE Year:2011 | Volume:2 | Issue:3 Page(s): 1-15

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Information Journal Paper

Title

L’INCIPIT DANS LES CONTES FANTASTIQUES DE THEOPHILE GAUTIER: ETUDE SELECTIVE DE LA CAFETIERE ET LE CHEVALIER DOUBLE

Author(s)

AYATI AKRAM | Issue Writer Certificate

Keywords

INCIPITQ3

NARRATIONQ2

HISTOIREQ3

CONTE FANTASTIQUEQ3

THEOPHILE GAUTIERQ2

Abstract

Comment commencer? La question touche autant l’auteur que le lecteur. L’INCIPIT fait deja l’objet de nombreuses recherches qui ont interroge les divers aspects de sa pratique. Au seuil du recit, l’attente a laquelle l’INCIPIT se doit de repondre est polyvalente. L’INCIPIT doit endosser, dans tout texte romanesque, les enjeux particuliers pour lesquels, il revendique les strategies expressives particulieres. En evoquant les fonctions que l’INCIPIT remplit dans une oeuvre et les etudiant particulierement dans deux contes fantastiques de THEOPHILE GAUTIER, La Cafetiere et Le Chevalier double, nous avons l’objectif de repondre, dans cet article, aux questions concernant le role de l’INCIPIT par rapport a la structure du conte et cela a travers l’etude de la relation entre le texte et le paratexte. L'etude de la modalite de la representation du contrat de lecture dans les INCIPIT nous mene en plus a examiner comment l’ecrivain fait de ce lieu strategique du texte non seulement une occasion d’ancrer son univers fantastique, mais aussi un emplacement d’exhiber son art d’ecriture, propre a lui.English: INCIPIT in THEOPHILE GAUTIER's Fantastic Tales: A Selective Study of Cafee Pot and Double KnightHow to begin? The question arises for the author as much as for the reader. The INCIPIT is already the object of numerous studies which have examined various aspects of his practice. At the beginning of the narrative, the expectation in which the INCIPIT owes answer is general-purpose. The INCIPIT has to assume, in any romantic text, the particular stakes for which, he claims the particular expressive strategies. By evoking the functions which the INCIPIT performs in a work and studying them particularly in two THEOPHILE GAUTIER's fantastic tales, we aim to answer, in this article, the questions concerning the role of the INCIPIT with regard to the structure of the tale and through it, the study of the relation between the text and the paratexte. The study of the modality of the representation of the contract of reading in INCIPIT shows how the writer makes of this strategic place of the text not only an opportunity to anchor his fantastic universe, but also a place to show his art of writing, appropriate for him.Keywords: INCIPIT, NARRATION, history, fantastic tales, THEOPHILE GAUTIER

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APA: Copy

AYATI, AKRAM. (2011). L’INCIPIT DANS LES CONTES FANTASTIQUES DE THEOPHILE GAUTIER: ETUDE SELECTIVE DE LA CAFETIERE ET LE CHEVALIER DOUBLE. REVUE DES ETUDES DE LA LANGUE FRANCAISE, 2(3), 1-15. SID. https://sid.ir/paper/223167/en

Vancouver: Copy

AYATI AKRAM. L’INCIPIT DANS LES CONTES FANTASTIQUES DE THEOPHILE GAUTIER: ETUDE SELECTIVE DE LA CAFETIERE ET LE CHEVALIER DOUBLE. REVUE DES ETUDES DE LA LANGUE FRANCAISE[Internet]. 2011;2(3):1-15. Available from: https://sid.ir/paper/223167/en

IEEE: Copy

AKRAM AYATI, “L’INCIPIT DANS LES CONTES FANTASTIQUES DE THEOPHILE GAUTIER: ETUDE SELECTIVE DE LA CAFETIERE ET LE CHEVALIER DOUBLE,” REVUE DES ETUDES DE LA LANGUE FRANCAISE, vol. 2, no. 3, pp. 1–15, 2011, [Online]. Available: https://sid.ir/paper/223167/en

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