This study is an analysis of female characters of Nineteen Eighty-Four in the context of family, marriage, love and social status. References are made to other works of Orwell to show that, in contrast to his fame as a rebel and the huge impact of this novel on many different branches of literature, linguistics, sociology, politics, and criminology, he is an upholder of tradition, even in dystopia. It is argued that, except for Julia, the major female character of the early part of the novel, the portrayal of female characters in this novel is not much different from Orwell's other novels such as Burmese Days, A Clergyman's Daughter, Keep the Aspidistra Flying, and Coming Up For Air. Marriage, love, family and women in all these novels follow Orwell's traditional view of a middle- class man towards women.