STYLE IN TRANSLATION OF POEMS: AN EXAMPLE FROM CONTEMPORARY PERSIAN POETRY

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SHOMOOSSI NEMATULLAH

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Journal: TRANSLATION STUDIES Year:2013 | Volume:10 | Issue:40 Page(s): 111-126

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Information Journal Paper

Title

STYLE IN TRANSLATION OF POEMS: AN EXAMPLE FROM CONTEMPORARY PERSIAN POETRY

Author(s)

SHOMOOSSI NEMATULLAH | Issue Writer Certificate

Keywords

POETRYQ2

LITERAL)’ TRANSLATIONQ2

AKHAVAN SALESQ2

THE WINTERQ2

Abstract

As a creative translation activity, POETRY translation is considered a transcultural practice. However, the difficulty of translating POETRY is twofold: the words and meaning on the surface, and the flow and rhythm (or rhyme) at the root. Also attending to aspects like form, sound, words, images, tone, and content at the same time is not an easy task. In the present study, steps have been taken to compare a contemporary poem, the Winter (Zemestan), with two different English translations (Bashiri and Shahegh), with reference to Vahid and colleagues’ (2008) framework. The results indicated that neither has been perfectly successful in transferring the style of the original poet. Bashiri was found to be semantic in his approach, and Shahegh to be literal. All in all, keeping to all aspects IS difficult, if not impossible, in translating POETRY from one language into another.

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APA: Copy

SHOMOOSSI, NEMATULLAH. (2013). STYLE IN TRANSLATION OF POEMS: AN EXAMPLE FROM CONTEMPORARY PERSIAN POETRY. TRANSLATION STUDIES, 10(40), 111-126. SID. https://sid.ir/paper/96179/en

Vancouver: Copy

SHOMOOSSI NEMATULLAH. STYLE IN TRANSLATION OF POEMS: AN EXAMPLE FROM CONTEMPORARY PERSIAN POETRY. TRANSLATION STUDIES[Internet]. 2013;10(40):111-126. Available from: https://sid.ir/paper/96179/en

IEEE: Copy

NEMATULLAH SHOMOOSSI, “STYLE IN TRANSLATION OF POEMS: AN EXAMPLE FROM CONTEMPORARY PERSIAN POETRY,” TRANSLATION STUDIES, vol. 10, no. 40, pp. 111–126, 2013, [Online]. Available: https://sid.ir/paper/96179/en

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